Preserved Botanical Wall Art — Turquoise Resin River, Real Moss, Driftwood Bridge | 12" Cork Frame | Handcrafted
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Preserved Botanical Wall Art — Turquoise Resin River, Real Moss, Driftwood Bridge | 12" Cork Frame | Handcrafted

A 12" × 12" handcrafted landscape painting made entirely from real materials. Turquoise resin forms the river. Real preserved moss — in at least five distinct varieties — covers both banks. A piece of natural driftwood crosses the river at an angle, forming the bridge...

Rs. 6,799

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Rs. 6,799
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02 · Good to Know

Before you gift it

Everything worth knowing — sizes, shelf life, branding, shipping — in one place.

Shipping & delivery
Bulk & branding

From 25 units: logo on the box, branded ribbon and a custom card. GST invoice on every business order — see corporate gifting for tiers and sampling.

Care & sustainability

The keepsake box is reusable and all packaging is plastic-free kraft and cloth. Explore the full eco-friendly gift range.

Product details

Description
Why This Piece Is Different From Any Other Wall Art You Have Considered

Most wall art is a surface. A print, a canvas, a photograph — something flat that represents something real. This piece is not a representation. It is the real thing: actual botanical material, actual river stones, actual preserved flowers, suspended in an actual resin landscape and framed in natural cork. The turquoise water you see is resin poured by hand. The green forest you see is preserved moss arranged piece by piece. The bridge you see is a real piece of driftwood.

This distinction matters because it changes the way the piece is experienced over time. A print does not change. A print does not have depth that the eye discovers differently depending on the light. A print does not cast a faint turquoise shadow on the wall around it when morning sunlight passes through the resin. This piece does all of those things — and three years after it goes up on a wall, it will still be doing them.

For gifting, the calculation is equally distinct. The person who receives this piece receives something that has never existed in this exact form before and will never exist in this exact form again — the arrangement of moss, the position of each flower, the path of the driftwood, the swirl patterns in the resin are all natural variations that make each piece unique. You cannot gift two identical versions of this piece, because they do not exist.

The corporate application is particularly strong for organisations building ESG-aligned communications — the piece is itself a statement about values. Real preserved botanicals, natural materials, zero ongoing environmental maintenance, a design language rooted entirely in the natural world. The piece does not require a description for the viewer to understand what the gifting organisation cares about.
Specifications
  • Frame Size - 12 inches × 12 inches
  • Frame Material - Cork and MDF
  • Frame Depth - Approximately 2 cm (three-dimensional, not flat)
  • Water Element - Turquoise resin art (poured by hand)
  • Botanical Content - Preserved moss (multiple varieties), dried flowers (pink, orange-red, purple), botanical groundcover
  • Additional Materials - Natural driftwood, white river stones/pebbles
  • Display - Wall-mounted (wall-ready, hanging hardware included)
  • Maintenance Required - None
  • Botanical Lifespan - 3+ years under standard indoor conditions
  • Each Piece - Unique (natural variation in all botanical elements)
  • Customisation - Custom gift cards and premium packaging available for gifting orders
Item info
Care Instructions

Display indoors only. Hang away from direct sunlight — prolonged UV exposure will fade the preserved botanicals over time. Indirect or diffuse natural light, or standard indoor lighting, is ideal.

Keep away from direct air conditioning or fan vents. Constant airflow directed onto the piece accelerates drying of the botanical material and shortens its colour life.

Do not mist, spray, or introduce moisture to the piece in any form. The botanicals are preserved and do not require water — moisture damages the preservation chemistry and can cause mould.

Maintain in normal indoor ambient conditions. Avoid environments with humidity above 80% or below 20% — both extremes stress the botanical material.

To clean, use a very gentle compressed-air puff (canned air at low pressure, held at least 20cm from the surface). Do not wipe the botanical surface with cloth, damp or dry — wiping disturbs and detaches preserved elements. The resin surface may be gently wiped with a soft dry cloth if needed.

Do not handle the botanical elements directly — the natural oils from skin can discolour preserved botanicals over repeated contact.

The resin surface is hard and scratch-resistant for normal display purposes. Avoid contact with sharp objects or abrasive cleaning materials on the resin.

If the piece is moved or transported, keep it flat and do not stack anything on top of the botanical surface.

Expected lifespan under proper care: 3+ years. Elements most susceptible to early change: small accent flowers. Elements most durable: reindeer moss varieties and resin.
Perfect for
· Housewarming Gifts
· Client Appreciation Gifts
· CXO and Senior Leadership Gifts
· Premium Corporate Art Gifts
· ESG and Sustainability Recognition
· Office Inauguration Gifts
· Anniversary Corporate Gifts
· Wedding Anniversary Gifts
· Retirement Gifts
· Architecture and Interior Design Professional Gifts
· Hotel and Hospitality Gifting
· Premium Welcome Gifts
· Conference Speaker Gifts
· Partner and Investor Appreciation
Additional information
The Turquoise Resin — What It Is

The turquoise water element in the piece is epoxy resin — a two-component polymer that, when mixed and poured, cures to a glass-clear hard surface. The turquoise color is created with pigment additives mixed into the resin before pouring. The specific turquoise
#00C8E8 achieves its electric quality because the resin is both pigmented and partially translucent: the white MDF base beneath the resin shows through in the shallower zones, making the resin appear lighter, while deeper resin pools appear richer and darker. This creates an illusion of actual water depth.

The resin surface once cured is hard, smooth, glossy, and scratch-resistant for normal display purposes. It should not be cleaned with abrasive materials. Soft damp cloth if needed.

The Preserved Botanicals

The moss varieties used in this piece include reindeer moss (Cladonia rangiferina — the primary large-cluster variety), cushion moss (compact dome forms), and feather/fern-like moss varieties for groundcover. The colour range across the piece: apple lime
#AACC40 through vivid mid-green
#3DA829 through deep forest
#1A5C10. The variation in colour is natural — different species, different zones of the same species, and different preservation timing all contribute to the tonal range.

Preserved flowers: small dried botanical flowers in pink, orange-red, and purple. These are real dried flowers, not silk or manufactured replicas. Their scale is intentionally small — approximately 1–2cm diameter — so they function as accent details within the landscape rather than dominant focal points.

The Driftwood Bridge

The dark piece of material crossing the turquoise river diagonally is a naturally dried and treated piece of bark or branch — selected for its diagonal form and dark surface quality. The term "bridge" in the product name refers both to the physical form (a natural element crossing the water) and to the compositional narrative (a landscape feature that connects the two botanical banks). The bark's texture — grain lines, fissures, knots — is visible in the piece and provides the strongest textural contrast element against the smooth resin.

Display and Care

Mount on a wall using standard picture-hanging hardware (nail or hook). The piece is wall-ready — hanging hardware is attached to the back. Maintain in normal indoor conditions: air-conditioned or naturally ventilated interior spaces, indirect or diffuse light preferred over prolonged direct sunlight (UV from direct sunlight accelerates botanical colour change over time). No watering, no feeding, no misting. If dust accumulates on the botanical surface, a very gentle compressed-air dusting is the recommended maintenance — avoid touching the preserved botanical material with wet materials.
Please note
Care Instructions

Display indoors on a desk, shelf, or in an upright cabinet away from direct sunlight. The acrylic cover protects the preserved botanicals from dust and contact — keep the acrylic panel in place during display.

Do not mist, spray, or introduce moisture. The botanicals are preserved and do not require water. Moisture inside the sealed acrylic zone can cause mould and permanent damage.

Avoid placing near direct air conditioning vents or in environments with extreme temperature fluctuations.

To clean the acrylic front panel, wipe gently with a soft dry or slightly damp microfibre cloth. Do not use abrasive cloths, paper towels, or chemical glass cleaners — these scratch acrylic surfaces.

Do not open or remove the acrylic panel for cleaning purposes — the botanical material inside is fragile and undisturbed display is the correct care mode.

If the acrylic panel is removed for any reason, handle the cork pegs carefully — they are the structural fasteners holding the panel to the botanical backing.

Handle the piece by the MDF frame body, not by the acrylic panel or the botanical zone.

Expected lifespan under proper care: 5+ years. The acrylic cover provides additional protection that extends botanical life beyond open-face preserved botanical products.
FAQs

Questions, answered

6
1How is this different from a moss wall panel or a moss frame I can find elsewhere?
A: Most moss wall panels available commercially are single-material — preserved moss on a flat backing, sometimes framed. This piece is a multi-element handcrafted landscape: turquoise resin water, multiple moss varieties, river stones, driftwood, preserved flowers, cork frame. The composition depicts a specific narrative — a forest with a river and a bridge — rather than a uniform moss surface. The turquoise resin element in particular is not standard in botanical wall art: it requires separate pour technique, curing time, and colour calibration. Each piece is individually crafted, not batch-produced from a single mould.
2The turquoise colour looks very vivid in the images — will it look this vivid in a real room on a wall?
A: Yes, and in some environments it looks even more striking. The turquoise resin's saturation is a property of the material itself, not photographic enhancement. In a room with warm ambient lighting, the resin appears slightly warmer but equally vivid. In a room with cool white office lighting, it appears closer to the electric turquoise in the studio images. In direct sunlight, it is at its most vivid. The one condition where the resin is less vivid: very dim ambient lighting — at night with indirect incandescent bulbs at low wattage, the resin colour becomes more muted.
3We want to gift this to our top 25 clients — can you supply 25 pieces that look consistent?
A: Yes, with important context about natural variation. All 25 pieces will use the same materials, the same composition concept (river-bridge-forest), the same frame, and the same turquoise resin colour. However, no two pieces will be identical — the exact placement of moss varieties, the position of individual flowers, and the swirl patterns in the resin are all unique to each piece. This natural variation is a feature that many gifting clients specifically value: each of your 25 clients receives a unique piece, not a replicated product. For organisations that specifically require uniformity, please discuss with our team — certain elements (frame, resin zone proportion, colour) can be held consistent even when botanical arrangement varies.
4Is the piece safe for rooms with children — are the materials non-toxic?
A: The cured epoxy resin is safe for display purposes once fully cured — the curing process eliminates reactivity. The preserved botanical materials are non-toxic dried plant material. The piece is a display object, not a toy, and should be mounted at a height where it is viewed rather than handled. The individual botanical elements — small stones, dried flowers — are small enough to present a hazard if detached and placed in a mouth, so the piece is not appropriate for rooms accessible to very young children who may reach it. For normal adult display environments including offices, living rooms, and bedrooms, there are no safety concerns.
5How long will 3 years actually last — what degrades first?
A: Under standard indoor conditions (air-conditioned or naturally ventilated interior, indirect or diffuse light), the typical lifespan of a preserved botanical piece of this type is 3–5 years before any noticeable colour change. The elements that change first are the most delicate and most exposed: the smallest dried flowers (the accent colours — pink, orange, purple) may fade slightly before the larger moss elements. The moss itself is more durable than the flowers, particularly the reindeer moss varieties which are dense enough to maintain structure and colour longer. The resin does not degrade — it will maintain its turquoise colour indefinitely under normal conditions. Direct UV (sunlight exposure for several hours daily) accelerates botanical fading significantly — the 3-year estimate assumes indirect or diffuse light. In UV-protected conditions the piece lasts considerably longer.
6Can a company logo be added anywhere on this piece?
A: The piece itself is a handcrafted art object — brand marking on the botanical surface is not possible without compromising the composition. For bulk gifting orders, branding is applied to the gift packaging (box, tissue, card), a branded gift card enclosed with the piece, or a custom printed backing card visible on the reverse of the frame. Some clients also include a small branded label on the frame's back edge. For high-volume orders, discuss with our team to explore premium branded packaging options that make the organisation's identity present in the gifting experience without altering the art piece itself.